{"id":184,"date":"2025-03-21T17:10:41","date_gmt":"2025-03-21T16:10:41","guid":{"rendered":"https:\/\/www.sophiesuma.org\/?page_id=184"},"modified":"2025-05-20T18:28:51","modified_gmt":"2025-05-20T16:28:51","slug":"projets","status":"publish","type":"page","link":"https:\/\/www.sophiesuma.org\/index.php\/projets\/","title":{"rendered":"\u2690"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Projet de recherche<br>Research project<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">2023-2026<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.culturesvisuelles.org\/champs-de-recherche\/ecologies-visuelles\/feminismes-et-feminismes-queer-en-ecologie\" data-type=\"link\" data-id=\"https:\/\/www.culturesvisuelles.org\/champs-de-recherche\/ecologies-visuelles\/feminismes-et-feminismes-queer-en-ecologie\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Gender Ecology TV Series \/ GETS<\/em><\/strong><\/a><br>Coordinatrice : Sophie Suma<br>\u2764\ufe0e Assistante de recherche contractuelle : Julie Vezard (Post-Master ECCACV &#8211; Universit\u00e9 de Strasbourg)<br>\u2764\ufe0e Stagiaires : Karima Chelali, Clarissa Devin, Perrine F\u00e9ricot, \u00c9lise Haselvander, Cassia McPhilliamy, Auxence Robert<br>\u2691 Institutions partenaires : Programme Cultures visuelles, ACCRA UR 3402, ITI CREAA, Universit\u00e9 de Strasbourg, Cosmos, L\u2019Observatoire des images, \u00c9ditions Deux-cent-cinq<br>\u270c\ufe0e Financements : D\u00e9partements de sociologie et d\u2019\u00c9tudes environnementales de DePaul University Chicago (3 000\u20ac) &#8211; IDEX RMSE FRANCE 2030 Universit\u00e9 de Strasbourg (1 000\u20ac) &#8211; Centre de recherche et d\u2019exp\u00e9rimentation CREAA Universit\u00e9 de Strasbourg (5 000\u20ac) &#8211; ACCRA UR 3402 (1 500\u20ac)<br>R\u00e9sultats (en cours) : 9 Publications (diverses) + 6 communications + 1 S\u00e9minaire<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60)\"><br>\u27ad <em>\u00c9cologies visuelles &#8211; \u00c9cof\u00e9minismes &#8211; \u00c9cologies queer &#8211; Environnements &#8211; Milieux &#8211; S\u00e9rie tv &#8211; \u00c9tudes de culture visuelle &#8211; \u00c9tudes de genre &#8211; Corps fluides &#8211; \u00c9tudes queer<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60)\">\u270f\ufe0e Les images audiovisuelles sont tr\u00e8s pr\u00e9sentes dans notre quotidien. En premier issues du divertissement, apr\u00e8s avoir op\u00e9r\u00e9 un tournant \u201cp\u00e9dagogique\u201d (Laugier, 2019), l\u2019hypoth\u00e8se de ce projet suppose que les s\u00e9ries tv op\u00e8rent d\u00e9sormais un tournant \u201cpolitique\u201d, et qu\u2019il pourrait bien \u00eatre f\u00e9ministe et queer (Parsemain, 2019). Que nous disent-elles alors de la rencontre entre les questions de genre et d\u2019\u00e9cologie ? Comment se d\u00e9faire des imaginaires androc\u00e9niques (androcenic imaginaries) lorsque l\u2019on veut continuer de vivre sur une plan\u00e8te encore \u201cvivante\u201d ? Par l\u2019interm\u00e9diaire d\u2019un travail iconologique et d\u2019une \u00e9tude pouss\u00e9e des personnages (analyses des pratiques et du concept de \u201dCorps fluides\u201d, ce projet vise \u00e0 interroger le r\u00f4le que tiennent les s\u00e9ries TV dans notre propre capacit\u00e9 \u00e0 incorporer au quotidien les corps et les pratiques \u00e9cof\u00e9ministes et \u00e9coqueer que les images font performer \u00e0 l\u2019\u00e9cran. Il s\u2019agit ici de mesurer leurs impacts sur les publics, et en retour les effets que produisent l\u2019appropriation de ces pratiques et de ces personnages par les humain\u00b7e\u00b7s sur l\u2019\u00e9criture de nouveaux r\u00e9cits (approche \u00e9cologique de l\u2019\u00e9tude des images).<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-794e3cfa wp-block-group-is-layout-flex\">\n<p class=\"has-cyan-bluish-gray-color has-text-color has-link-color wp-elements-8d90af1fb7dcb80917bdaaf34b520a5b wp-block-paragraph\">\u270f\ufe0e Audiovisual images are very present in our daily lives. Having first emerged as a form of entertainment, and then taken a \u201cpedagogical\u201d turn (Laugier, 2019), the hypothesis of this project is that TV series are now taking a \u201cpolitical\u201d turn, and that it may well be feminist and queer (Parsemain, 2019). What, then, do they tell us about the encounter between questions of gender and ecology? How do we get rid of androcenic imaginaries when we want to continue living on a planet that is still \u201calive\u201d? Through iconological work and in-depth character study (analyzing practices and the concept of \u201cFluid Bodies\u201d), this project aims to question the role played by TV series in our own capacity to incorporate into everyday life the ecofeminist and ecoqueer bodies and practices that the images perform on screen. The aim is to measure their impact on audiences, and in turn the effects of human appropriation of these practices and characters on the writing of new narratives (an ecological approach to the study of images).<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projet de rechercheResearch project 2023-2026 Gender Ecology TV Series \/ GETSCoordinatrice : Sophie Suma\u2764\ufe0e Assistante de recherche contractuelle : Julie Vezard (Post-Master ECCACV &#8211; Universit\u00e9 de Strasbourg)\u2764\ufe0e Stagiaires : Karima Chelali, Clarissa Devin, Perrine F\u00e9ricot, \u00c9lise Haselvander, Cassia McPhilliamy, Auxence Robert\u2691 Institutions partenaires : Programme Cultures visuelles, ACCRA UR 3402, ITI CREAA, Universit\u00e9 de Strasbourg, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-184","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/pages\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":13,"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/pages\/184\/revisions"}],"predecessor-version":[{"id":278,"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/pages\/184\/revisions\/278"}],"wp:attachment":[{"href":"https:\/\/www.sophiesuma.org\/index.php\/wp-json\/wp\/v2\/media?parent=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}